Those have all been changed, and many more log formats are now recognized as such. There were a few manufacturer Log formats that had default transform behaviors in the previous version. For most work at this time, you will want to use the Rec.709 override option. If your media is 'blown out' on a working timeline, this is where you will start to correct it. Down at the bottom are several color management options. Right-click one or more clips, Modify/Interpret Footage. There are now color management settings for clips in the Project panel. ( Also check out this article on monitoring HDR within PrPro2022)
I'll give a short practical control setting list, and then a more complete explanation below. And with the media now produced from most phones and "devices". Users need to be aware of the changes to continue using several Sony, Canon, and Panasonic cameras in particular. Also changed were the default handling for 'device produced' media in HLG or PQ. The Premiere 2022 release, the 22.X build series, introduced several new Color Management options and changed the default handling for several LOG and RAW media types.
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